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| Where does the live
performance end, when does stage digitalisation begin? HOTEL’s magical
fixed-point deals with the absurdity of omni-present juxta-positions of
diverse themes and their disturbing affect on the individual. Bizarre, unconventional,
but hitting the centre of the musical heart of a new pop-avantgarde, that’s
hungry for fresh ideas. (...) Jochen Schönmann, 2006/11/03, Spiegel.de |
Spiegel.de (11/2006) |
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| HOTEL LIVES
IN A DIGITALLY DISTORTED SOUND COSMOS DRAWING UPON ANALOGUE CHARM.
Digital post-modern loops meet rasping guitars, adding a psychedelic touch
to the sonic scape. Click'n'cut-beats are accompanied by guitars, rhythmic
vinyl-crackle generates digital nostalgia. Complex soundscapes ensue, launching
the listener on journeys inside the mind. HOTEL - WHAT YOU SEE IS WHAT YOU HEAR. Visuals parallel sound in symbiosis. Intricate collages and clips are created for every song, including visual and sonic interludes which take the programme well beyond usual VJ flickerings. The video show is produced by LEM studios - a conglomerate of new media artists that has been repeatedly awarded with the Animago (European Animation Oscar). |
THE
HOTEL: |
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